That last pass on the left… you ain’t right for that Rob! FR though, that was TIGHT! How come we didn’t get to do a set of passes on the right though? I was ready to mess up!
My god! My forearms are on fire! The stab is hard to get my hands to work together! But, I will keep at it. Progression over perfection. I will keep pushing
My god! My forearms are on fire! The stab is hard to get my hands to work together! But, I will keep at it. Progression over perfection. I will keep pushing
I can do the stab scratch but I have a problem with staying at the tip of the sound and when I do a forward release and my bass down . I’ll get slow start ups witch make my mixes off or I get the rumbling sound .. what can I do to help with this
Make sure you grip the record firmly enough as to not lose control over it. Also, keep your eyes on anything on the label you can use as a reference point for where your sounds begin. In this case, the “Ahhh”. You may not be tracking the sound with your eyes properly.
Learned a LOT in this section. Not only about the scratches but for me most importantly for me is I learned the history of the scratch and who’s who. The fathers that laid the land for us to build on…
Thanks Swift for so much knowledge.
i actually watched this one 3x’s
Context is everything James. Knowing the history of this art form is resonating with you lets me know how much you appreciate DJing as a craft. Respect.
The scribble part is very tough I went back to the 1st video to try and nail it.
I liked the part about creating your own cadence and style or flair to the scratch – very good reminder!
10 Comments on Forward Scratches 2: Forward Stab Cont. and Forward Drag