Adaptability To Low And High Action Sounds As A Scratcher
The action within the sound you choose to manipulate directly impacts whether you as a DJ are operating in or out of your comfort zone of scratching
The action within the sound you choose to manipulate directly impacts whether you as a DJ are operating in or out of your comfort zone of scratching
The best advice I can give a DJ that wants to integrate scratching (and other techniques that require precision hand movements) in their set but is forced to do so in single digit temperature like I did this weekend in Montana is:
If you think mixing is “THE” optimal way to navigate through your music while you’re DJing for people, you’re thinking…
As DJs we all have access to the same popular songs. So how can we avoid emulating each other and…
DJ battles have been a critical part of DJ culture dating back to the formative years of Hip Hop’s creation….
Although your audience isn’t inside the DJ booth with you selecting the music you play and the order in which…
Execution trumps technique. I’ve always felt that. In a quest to help my Brolic Army students understand how to articulate
I recall getting up on stage and hearing Drew tell Clark Kent “watch my boy Rob!” As I looked into the audience of DJs competing for the same exact..
Facebook User: The MAJOR difference between transforms and flares is that flares start with the fader open, so you get 3…
Summer is almost over! Ready to go back-to-school shopping? Head over to the Brolic Army DJ School shop and checkout…